Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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VERONESE (Paolo Caliari)
Battle of Lepanto er

ID: 09622

VERONESE (Paolo Caliari) Battle of Lepanto er
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VERONESE (Paolo Caliari) Battle of Lepanto er


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VERONESE (Paolo Caliari)

Italian Mannerist Painter, ca.1528-1588  Related Paintings of VERONESE (Paolo Caliari) :. | The Marriage at Cana (detail) jh | Portrait of a Venetian Woman we | Allegory of Wisdom and Strength wt | Ceres Renders Homage to Venice wet | Moses Saved from the Waters of the Nile |
Related Artists:
Cornelis Norbertus Gysbrechts
(ca 1630 - after 1683) was a Flemish painter of still life and trompe-l'œil active in the second half of the seventeenth century. Gysbrechts was born in Antwerp, where, according to the RKD, he became a member of the Guild of St. Luke in 1660. He signed his name with "CND". His first known paintings date from 1659 in Antwerp. He painted in 1664 in Regensburg, from 1665-1668 in Hamburg and from 1668 to 1672 at the court in Copenhagen.
anthonis van dyck
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
Mariotto Di Cristofano
San Giovanni Valdarno, 1393 - Firenze, 1457






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